berlioz reicha beethoven the friendship between the two great musicians does not seem to have lasted long,

Answer:

Michelangelo's David is a masterpiece of Renaissance sculpture, created between 1501 and 1504. The statue reflects the Renaissance's focus on classical ideals of harmony, proportion, and beauty, as well as the revival of ancient Greek and Roman art. It also embodies humanist values, celebrating the individual and human potential. The statue's contrapposto pose, attention to detail, and depiction of the human form are all key stylistic elements that make it a quintessential example of Renaissance art.

Explanation:

Michelangelo's David is considered one of the masterpieces of the Italian Renaissance, and it represents the perfect example of Renaissance sculpture. The statue depicts David, the biblical hero who defeated the giant Goliath, standing in a contrapposto pose, with one leg bearing the weight of the body while the other leg is relaxed. The sculpture was created between 1501 and 1504 and is made of marble.

Stylistically, Michelangelo's David reflects the ideals of the Renaissance in several ways. Firstly, the statue embodies the classical ideals of harmony, proportion, and idealized beauty that were central to the art of ancient Greece and Rome. The figure's musculature is meticulously rendered, and the pose creates a sense of naturalism and movement. The attention to detail, such as the veins on David's hands and feet, highlights Michelangelo's skill in capturing the human form.

Secondly, Michelangelo's David demonstrates the Renaissance interest in reviving the art of ancient Rome and Greece. The statue's contrapposto pose is borrowed from ancient Greek sculpture, and the drapery of the figure's clothing is also inspired by ancient models. However, Michelangelo's David is not simply an imitation of classical art, but rather a fusion of classical ideals and the artist's own interpretation.

Finally, Michelangelo's David reflects the humanist values that were central to the Renaissance. The figure embodies the ideal of the individual, with his heroic pose and expression of determination. The statue celebrates the human form and the potential of human achievement, which was a central theme of Renaissance art.

Overall, Michelangelo's David stylistically fits within the context of the Renaissance by embodying the ideals of classical art, reviving ancient techniques, and celebrating humanist values.

Beethoven's distinctive style emerged from the influence of Haydn and Mozart during his first stylistic phase (from 1802-1802). He composed difficult-to-play fugues and surprisingly "modern" music during his third stylistic period (1814–1827).

According to the historian William Drabkin, a proposal for dividing Beethoven's compositions into three periods was made as early as 1818. This division—which was eventually adopted by all of Beethoven's biographers, starting with Schindler, F.-J. Fétis, and Wilhelm von Lenz—was sometimes made using different dates or works to indicate changes in period. Later authors tried to define sub-periods within this widely recognized framework. One of its flaws is that it typically ignores a fourth time period, namely the early years in Bonn, whose works are less well-known. and that it disregards the divergent growth of Beethoven's composing styles over the years for various types of work.

Thus Beethoven's works are divided usually into three periods.

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In Burial of Count Orgaz, El Greco's crowded composition and obscured spatial setting recall Mannerist paintings in Italy.

The Burial of Count Orgaz is a masterpiece by El Greco that depicts a scene from a Spanish legend. The painting is notable for its crowded composition and the way the spatial setting is obscured, which has led many art historians to compare it to Mannerist paintings in Italy. The Mannerist style emerged in the late Renaissance and was characterized by exaggerated forms, elongated figures, and complex compositions. El Greco was influenced by this style during his time in Italy, and it is evident in the Burial of Count Orgaz, with its crowded arrangement of figures and ambiguous space. The painting represents a unique blend of Italian and Spanish artistic traditions and is a testament to El Greco's mastery of both styles.

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Answer:

Gustave Courbet

Explanation:

Courbet's career was punctuated by a succession of scandals, which were usually cultivated by the artist and always welcomed. After a public fight with the all-powerful superintendent of fine arts, Comte Nieuwerkerke, several of his works were refused display in the great Salon and Universal Exposition of 1855.

Prior art is the term which is defined as the existing body of knowledge available to a person of ordinary skill in the art.

The term "art" encompasses a broad spectrum of human endeavours and the resulting works that reflect artistry, aesthetic, emotional heft, or philosophical concepts. The idea of art has been interpreted quite differently throughout history and among different cultures, and there is no universally accepted definition of what it is. Painting, sculptor, and architecture are really the three traditional forms of paintings in American civilisation. A broader definition of the artists comprises writing, music, film, dance, and other performance arts in conjunction to other medium like interactive entertainment.

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Lomax believed that folk music had significant political influence. Ralph Peer, on the other hand, stated that they would attempt to sell everything they believed they could.

American ethnomusicologist Alan Lomax is well renowned for his extensive collection of 20th-century folk music field recordings. He was a folklorist, archivist, writer, academic, political activist, oral historian, filmmaker, and musician himself. While working at the Library of Congress, Alan also made an effort to make folk music more widely known. Alan co-authored a number of publications with his father and independently, including American Ballads and Folk Songs, Black Folk Songs as well as Sung by Lead Belly and Ruth Crawford Seeger's Our Singing Land. He believed that folk music song collectors were more than just observers; they were political agents. John Lomax was the father of Bess Lomax Hawes, Alan Lomax, and John Lomax Jr., all renowned folk music collectors.

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The association (correlation) between "music lessons and brain growth" is a statement that implies a connection between two variables. The remark that "it rained and the ground is moist" is accurate.

The statement "music lessons and brain development" suggests a potential correlation between the two variables. Research has shown that musical training may be positively associated with cognitive abilities, particularly in language, memory, and spatial reasoning. However, it's important to note that correlation does not necessarily indicate causation, and other factors like genetics, socioeconomic status, and educational background may also play a role.

The statement "it rained and the ground is wet" is a clear example of a correlation, with a direct causal relationship between the two variables. Rainfall is the known cause of wet ground, so the presence of rain is strongly correlated with the condition of the ground being wet. In this case, the cause-effect relationship is clear, as the rain directly caused the ground to become wet.

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Dwight is likely using the word "tone" to sum up what he's doing, as adjusting the brightness and lightness of images refers to adjusting the tone of the image.

Tone in images refers to the balance between the light and dark areas of the image, as well as the overall color cast or hue.

The tone of an image refers to the balance between the light and dark areas of the image, as well as the overall color cast or hue. By adjusting the tone of his images, Dwight is making sure that they are properly balanced and look visually appealing for the upcoming art show. "Assets" refer to valuable resources, "cloud" to online storage, and "workflow" to the sequence of steps in a project or process, which do not relate directly to adjusting image tone.

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Aristotle's scientific background and his interest in biology influenced his writing about theatre in several ways.

In his work "Poetics," Aristotle applied his scientific approach to the study of drama, analyzing its structure, plot, and characters. He believed that the principles of biology could be applied to the study of drama, just as they could be applied to the study of living organisms.

For example, Aristotle believed that drama should follow the principles of natural causation, just as biological systems do. He argued that the plot of a drama should follow a cause-and-effect structure, with each action leading to the next in a logical sequence. This approach to drama was based on his understanding of biology, which taught him that living organisms function according to natural laws and causal relationships.

Moreover, Aristotle's scientific background enabled him to develop a comprehensive theory of drama that was rooted in empirical observation and analysis. He believed that theatre should reflect the realities of human experience, and that its study required careful observation of human behavior and emotions. His scientific approach to the study of drama allowed him to create a framework for understanding the role of theatre in society and in the human experience.

Overall, Aristotle's scientific background and his interest in biology were integral to his writing about theatre. They allowed him to develop a unique approach to the study of drama that was grounded in empirical observation and analysis, and that reflected his understanding of the natural world.

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Answer:

Is the Valley Curtain Art? Why/why not? In you answer, consider these questions:

Does a work of art need to be permanent to be considered "real" art?

Does it need to be in a form that can be collected and displayed by galleries and museums?

How is our experience of an ephemeral piece different than a permanent work?

Explanation:

The Valley Curtain is a work of art that was created by Christo and Jeanne-Claude in 1972. The artwork was a massive orange curtain that was hung across a valley in Colorado, creating a vibrant visual display for a short time. The question of whether or not the Valley Curtain is art is a subject of debate, as it challenges traditional definitions of what art is.

One of the questions that arise is whether a work of art needs to be permanent to be considered "real" art. Traditional art forms such as paintings, sculptures, and installations are often designed to be permanent and displayed in galleries or museums. However, ephemeral art such as the Valley Curtain can also be considered "real" art. Ephemeral art is often more about the experience and the momentary impact that it has on the audience, rather than its permanence.

The Valley Curtain was a temporary installation that existed for only a brief period. It was not meant to be a permanent fixture and was eventually removed. However, the fact that it was not permanent does not diminish its artistic value. The artwork created a unique experience for those who witnessed it, and it continues to be celebrated as an example of environmental art.

Another question that arises is whether art needs to be in a form that can be collected and displayed by galleries and museums. While traditional forms of art are often collected and displayed in galleries and museums, ephemeral art such as the Valley Curtain cannot be collected and displayed in the same way. The art exists only for a brief period, and then it is gone. However, this does not diminish its artistic value or the impact that it has on its audience.

Our experience of an ephemeral piece is different from a permanent work. Ephemeral works like the Valley Curtain can create a unique experience for those who witness them. They are often more about the momentary impact they have on the audience than their permanence. The transient nature of such works often means that they can be more immersive and can create a more profound emotional impact on the viewer.

In conclusion, the Valley Curtain is a work of art that challenges traditional definitions of what art is. While it was not permanent, it was still a valuable and impactful piece of environmental art that created a unique experience for those who witnessed it. The temporary nature of the work does not diminish its artistic value or the impact that it had on its audience.

Dong Qichang created his Qingbian mountains  in what standard format of a hanging scroll.

One of the many conventional ways to show and display East Asian painting and calligraphy is a hanging scroll. The handscroll, which was narrower and intended to be viewed flat on a table in sections before being stored away again, should be differentiated from the hanging scroll because it was displayed in a room for admiration. Chinese painter, calligrapher, politician, and art theorist Dong Qichang lived in the later Ming era. In his art, expression took precedence over formal likeness. He steered clear of anything he perceived to be slick or emotional as well. This inspired him to design environments with purposefully warped spatial characteristics. Nevertheless, despite incorporating elements from earlier Yuan masters, his art was far from abstract. Regarding personality, he had to "individualist" painters of the future.

Dong created the hypothesis that Chinese painting could be separated into two schools, the northern school distinguished by delicate lines and colours and the southern school distinguished by its fast calligraphic strokes in his writings on art theory.

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Answer:

A, B, and C are the roles that artists perform.

Explanation:

Artists create a mood or show us new ways of seeing things. They also document and preserve another person's view of the world. Additionally, artists create a message through images and symbols to express ideas, emotions, or concepts.

However, designing simple and plain functional buildings or objects is not generally considered a role of artists. This is typically the domain of architects or industrial designers.

Answer:

A. Archaeologists uncovered about three dozen of these statuettes.

Explanation:

A. Archaeologists uncovered about three dozen of these statuettes is true about the plaster statuettes representing Neolithic sculpture found in present-day Jordan in the Middle East.

B. All of the statuettes have three heads, and D. The statuettes are all the same size—three feet tall are false statements.

C. The statuettes have cores of stone that are covered over by a white plaster is partially true. The statuettes discovered in Jordan have a core of limestone or dolomite, which was then covered with a layer of white plaster made from lime or gypsum. The plaster was then painted with various pigments to create the detailed designs and features of the statuettes.

Based on what is commonly known about Neolithic sculpture in present-day Jordan, the statement that is most likely true is:

C. The statuettes have cores of stone that are covered over by a white plaster.

These statuettes are known as "Ain Ghazal Statues," and they were discovered during the 1980s at the Ain Ghazal archaeological site in Jordan. The statues are typically about two to three feet tall and have been found in various states of repair. They are made from a core of limestone that was covered with plaster, which was then painted or decorated in various ways. The statues depict human figures with large, almond-shaped eyes and often with multiple heads. While the exact number of statues found is not known, it is estimated to be in the dozens.

Answer:

The correct answer is c. Brunelleschi and Ghiberti

Explanation:

The competition for the bronze doors of the Florence Baptistery took place in the early 1400s and was won by Lorenzo Ghiberti. Filippo Brunelleschi was also a finalist in the competition. Donatello and Jan van Eyck were not part of the competition for the doors. While Giotto was an influential artist during the Gothic period, he lived several centuries before the competition took place.

NGOs, or non-governmental organizations, play a crucial role in addressing social and environmental issues around the world.

As per lectures, it is true that new NGOs are founded every day, which reflects the increasing need for these organizations to address the complex challenges facing society. In India, for example, there is an estimated 1 NGO for every 400 people, indicating the significant role that NGOs play in addressing the country's diverse needs. NGOs can be formed to address a variety of issues, including education, healthcare, environmental conservation, human rights, and poverty alleviation, among others. These organizations often operate independently of government and seek to promote positive social change through various programs and initiatives. While the sheer number of NGOs in India and other countries can create challenges in terms of coordination and resource allocation, it also reflects the commitment and dedication of individuals and communities to making a positive difference in the world.

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The descending ground bass, which is repeated eleven times in this aria, most probably denotes Dido's sorrow.

If a bass line follows one of three patterns—diatonic, chromatic, or a combination of the two—it is said to be descending. For instance, a bass line that descends through a scale with just half steps is said to be chromatically falling. Generally speaking, a ground bass, also known as an ostinato bass, is a bass line that repeats and other music is played over it. As in Dido's Lament, the lament bass (descending chromatic bass line) is sometimes used as a ground bass. One Note Samba (1961), Georgia On My Mind (1930), Night And Day (1932), Let It Be Me (1960), and Whiter Shade of Pale (1961) are only a few examples of the most popular music of the 20th century that was composed around a descending bass line progression (1967), Ain't No Mountain High Enough (1967), My Way (1969), I'll Be There (1970), etc.

It is often used in music to denote tragedy or sorrow.

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Eighteenth-century Prussia, Austria, and Russia exhibited varying degrees of enlightened absolutism, with Prussia under Frederick the Great being the most successful, while Russia under Catherine the Great was less successful in implementing Enlightenment ideals.

In the 18th century, Prussia, Austria, and Russia implemented elements of enlightened absolutism but did not fully adopt the principles of the Enlightenment. Prussian King Frederick II implemented policies such as religious tolerance and education promotion, but he did not abolish serfdom. Austrian Empress Maria Theresa and her son, Joseph II abolished serfdom and improved education, but they faced opposition from conservative forces. Tsarina Catherine II of Russia also implemented religious toleration and education promotion but maintained a strict autocracy. While these rulers implemented reforms to enhance their power and improve their kingdoms, they did not fully embrace the principles of Enlightenment and were limited in their ability to implement radical reforms.

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Answer:

Michelangelo's David is a famous sculpture that was created during the High Renaissance period in Florence, Italy. The Renaissance was a time of renewed interest in classical art and culture, and Michelangelo's David was intended to evoke the ideals of strength, beauty, and perfection. The sculpture also reflects the Renaissance's focus on individualism and the human form, depicting David as a young boy with a sense of dignity and self-assurance. Overall, Michelangelo's David is considered one of the greatest examples of Renaissance art and a symbol of the period's artistic and cultural achievements.

Explanation:

Michelangelo's David is considered one of the most iconic works of art from the Renaissance period. It was created during the High Renaissance, a period of great artistic achievement that lasted from the late 15th to the early 16th century.

At the time, Florence was a major center of artistic and cultural activity, and the city was undergoing a period of political and economic stability that allowed for a flourishing of the arts. Michelangelo's David was commissioned by the Florentine Republic in 1501 as a symbol of their political power and their commitment to the ideals of the classical world.

The Renaissance was characterized by a renewed interest in the classical world and a desire to revive the art and culture of ancient Greece and Rome. This can be seen in Michelangelo's David, which was inspired by classical models of the human body and was intended to evoke the ideals of strength, beauty, and perfection.

Michelangelo's David also reflects the Renaissance's fascination with individualism and the human form. The sculpture depicts David not as a heroic warrior, but as a young boy, vulnerable and uncertain, yet still imbued with a sense of dignity and self-assurance. This focus on the individual and the human form was a hallmark of Renaissance art, and Michelangelo's David is considered one of the greatest examples of this.

In sum, Michelangelo's David represents the height of the Renaissance period, a time when artists and thinkers sought to revive the classical ideals of beauty and perfection, while also celebrating the individual and the human form. Its enduring popularity and influence continue to be felt today, and it remains one of the most recognizable and celebrated works of art in the world.

Answer:

A. Near ground

Explanation:

A. Near ground is NOT a term used to describe how far away from the camera a plane is.

Foreground, middle ground, and background are commonly used to describe the relative distance of planes in a shot or scene. The foreground refers to the planes that are closest to the camera, the middle ground refers to the planes that are in the middle distance, and the background refers to the planes that are farthest away from the camera.

"Near ground" is not a commonly used term in cinematography or filmmaking to describe the distance of planes from the camera. However, it could be used to refer to objects or elements that are in the immediate foreground of a shot, such as a piece of furniture or a person's feet.

Dr. Martin Luther King Jr. was a master at using emotional appeals to move his audience and inspire them to action.

In his famous "I Have a Dream" speech, he employs various techniques to evoke strong emotional responses from his listeners. Here are three examples of how he appeals to emotions in his speech:

Imagery: King uses vivid imagery to paint a picture of the reality of racial injustice in America. For instance, he talks about "the sweltering summer of the Negro's legitimate discontent" and how black people are "languishing in the corners of American society." These descriptions evoke feelings of anger, frustration, and helplessness, which can motivate his audience to take action.

Repetition: King repeats certain phrases throughout his speech to emphasize his points and to create a sense of unity among his listeners. For example, he repeats the phrase "I have a dream" several times, which helps to build momentum and excitement. He also repeats the phrase "Let freedom ring" at the end of each stanza, which creates a powerful and emotional refrain that inspires his listeners to action.

Personal anecdotes: King uses personal anecdotes to connect with his audience on a deeper emotional level. He talks about his own experiences with racism and discrimination, which helps his listeners to empathize with him and to feel a sense of solidarity with him. For instance, he says, "I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character." This personal story is a powerful emotional appeal that inspires his listeners to work towards creating a better future for all.

In conclusion, Martin Luther King Jr. was a skilled orator who knew how to appeal to the emotions of his audience. By using vivid imagery, repetition, and personal anecdotes, he was able to move and inspire his listeners to action.

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The given statement "about the impact of the First Five-Year Plan on the Soviet film industry in 1930 is that it centralized the Soviet film industry under one company, Soyuzkino" is true because the First Five-Year Plan was a series of economic programs that were developed by the Soviet Union under Stalin's administration between 1928 and 1932.

The goal of the First Five-Year Plan was to shift the Soviet Union from being an agricultural-based society to an industrialized one. This would assist the Soviet Union in rapidly closing the economic gap between itself and other industrialized countries at the time.

Soyuzkino was established as a result of the First Five-Year Plan in the Soviet Union. It was the country's first central film company, which was established in 1930. The film industry was centralized under Soyuzkino, which was controlled by the Communist Party.

It was created to increase the efficiency of film production, distribution, and promotion, and to provide more comprehensive financial and technical support for filmmakers.

In conclusion, a true statement about the impact of the First Five-Year Plan on the Soviet film industry in 1930 is that it centralized the Soviet film industry under one company, Soyuzkino.

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Depth of field refers to the range of distances, in front of the camera lens, where objects appear in focus and sharp in a photograph or video.

Depth of field is a fundamental concept in photography and videography that refers to the area in a scene that appears in focus and sharp in an image or video. This area is determined by the distance between the camera lens and the subjects in the scene. A shallow depth of field results in a small range of focus and blurs the background, while a deep depth of field captures a larger range of distances in sharp focus. The depth of the field is influenced by several factors, such as aperture, focal length, the distance between the camera and the subjects, and sensor size. It can be used creatively to draw attention to a specific subject or object in the scene and create a sense of depth and dimensionality.

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The masterpiece of nature,

painting the world with pure magic as the sun sets in the west,

lights up the sky.

The sky fills with vibrant hues of orange, red, and yellow as I picture a stunning sunset. The landscape is bathed in a warm glow as the sun is about to set below the horizon.

There are trees, bushes, and possibly a body of water that is reflected in the sky in the foreground. The sketch conveys an overall sense of awe and wonder at nature's beauty.

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Berlinghieri's Panel from the Saint Francis Altarpiece is an iconic example of the "maniera greca" style, characterized by a Byzantine influence on Italian art during the late 13th and early 14th centuries.

The following qualities are present in the panel: Flatness: The figures in the panel are depicted in a flat, two-dimensional style that emphasizes the iconic nature of the figures.Frontality: The figures are depicted facing forward, with their bodies and faces fully visible. This style was influenced by Byzantine art, which favored frontal depictions of figures.

Gold Ground: The panel's background is covered in gold leaf, a common feature of Byzantine and medieval art. Hierarchical Scale: The figures are arranged in a hierarchical scale, with Saint Francis depicted as the largest and most important figure in the panel.

Rich Decoration: The panel is highly decorated, with intricate patterns and details on the clothing and halos of the figures. This is also a common feature of Byzantine and medieval art.

Overall, Berlinghieri's Panel from the Saint Francis Altarpiece exhibits many of the key qualities of the "maniera greca" style, which significantly influenced Italian art during the medieval period.

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True. Cut and sew construction is a method of making garments where the pieces are cut from fabric and then sewn together. It is commonly used for woven fabrics, as opposed to knit fabrics which are often knit to shape.

Cut and sew construction is a garment manufacturing process where the individual pieces of the garment are cut from a larger piece of fabric and then sewn together to create the final product. This process is commonly used for woven fabrics, which are made of interlocking threads and do not stretch like knits. In contrast, knit fabrics are often knit to shape, meaning that they are created in the desired shape and size without the need for cutting and sewing. Cut and sew-construction is a versatile and widely used method for creating various types of garments, including shirts, pants, and dresses, and allows for a range of design options and customization.

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Option C, Descartes was disappointed when he realized that many of the purported facts he had learned in his boyhood were false.

He was a French physicist, mathematician, and philosopher who worked to create a new way of thinking that would let him discern between real knowledge and untrue ideas.

He is well known for challenging all of his ideas, even those he had received via schooling and upbringing, in his quest for certainty.

He tried to completely reconstruct his body of knowledge based on what he could be sure of through reason alone. His famous assertion, "Cogito, ergo sum" (I think, therefore I am), which served as the cornerstone of his philosophy, was the result of this procedure.

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The "dance-pop" subgenre of popular music first arose in the late 1970s and early 1980s. The music is frequently upbeat and designed to be danceable for nightclubs, while it can also be played on contemporary pop radio.

Music that appeals to a wide audience is considered popular when it is routinely made available to large audiences by the music industry. These types and styles of music are accessible to people with little or no musical training.

Thanks to disco, black musicians had the opportunity to explore with a wide range of sounds and styles, and many of them found great success. Artists like Chic, the Bee Gees, and Donna Summer produced some of the most well-known disco tunes ever. But, as disco gained popularity, its associations with black culture began to disappear.

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Answer:

Swing

Explanation:

Answer:

So the correct options are:

Selecting and arranging footage

Trimming and cutting footage

Adding transitions and effects

Manipulating time and space

Working with sound

Explanation:

The general term "editing" in filmmaking and cinema is used to describe the following:

Selecting and arranging footage: This involves selecting the best takes and shots from the raw footage and arranging them in a logical sequence to tell a story or convey a message.

Trimming and cutting footage: This involves trimming unnecessary footage and cutting scenes or shots that don't contribute to the story or pacing of the film.

Adding transitions and effects: This involves adding various transitions and effects such as fades, dissolves, wipes, and color corrections to enhance the visual flow and aesthetic of the film.

Manipulating time and space: This involves manipulating the time and space of the film through techniques such as montage, flashbacks, and flash-forwards to create a specific mood or convey a message.

Working with sound: This involves editing and mixing the sound elements of the film, including dialogue, music, and sound effects, to enhance the emotional impact and overall quality of the film.