Which use of pacing best creates a feeling of nervousness?
-
O A. From somewhere in the far distance, she heard a sound - more of
a suggestion of a sound than anything she could make out
distinctly.
O B. Her eyes perked up as one sound arose, then eventually another, in
waves of noise that went on forever.
O C. She heard several sounds in a row, then listened for more.
D. A sound. Her ears perked up. Another. What was it? Finally, a third,
louder than the others.

Answer:

It's D

Explanation:

i just did it

The statement that creates a feeling of nervousness by use of pacing is "A sound. Her ears perked up. Another. What was it? Finally, a third, louder than the others."

Pace, or pacing, in literature refers to the rate at which a story is told rather than the rate at which the story takes place. The length of the scenes, the speed with which the action moves, and the speed with which the reader is given information all influence the pace. It is also influenced by the story's genre: comedies move faster than dramas, and action adventures move faster than suspense.

A slow pace is typical of many novels rejected by publishers, as well as those that make it into print but not into the hearts and recommendations of readers.

Therefore, the correct answer is option D.

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https://brainly.com/question/4957057

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Rosa Parks
BY NIKKI GIOVANNI
This is for the Pullman Porters who organized when people said
they couldn't. And carried the Pittsburgh Courier and the Chicago
Defender to the Black Americans in the South so they would
know they were not alone. This is for the Pullman Porters who
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and stutters are apt to try to prove themselves in dangerous ways
when mothers aren't around to look after them. So this is for the
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the train rolled the reverse of the Blues Highway from Chicago to
St. Louis to Memphis to Mississippi. This is for the men who kept
him safe; and if Emmett Till had been able to stay on a train all
summer he would have maybe grown a bit of a paunch, certainly
lost his hair, probably have worn bifocals and bounced his grand-
children on his knee telling them about his summer riding the
rails. But he had to get off the train. And ended up in Money,
Mississippi. And was horribly, brutally, inexcusably, and unac-
ceptably murdered. This is for the Pullman Porters who, when the
sheriff was trying to get the body secretly buried, got Emmett's
body on the northbound train, got his body home to Chicago,
where his mother said: I want the world to see what they did
to my boy. And this is for all the mothers who cried. And this is
for all the people who said Never Again. And this is about Rosa
Parks whose feet were not so tired, it had been, after all, an ordi-
nary day, until the bus driver gave her the opportunity to make
history. This is about Mrs. Rosa Parks from Tuskegee, Alabama,
who was also the field secretary of the NAACP. This is about the
moment Rosa Parks shouldered her cross, put her worldly goods
aside, was willing to sacrifice her life, so that that young man in
Money, Mississippi, who had been so well protected by the
Pullman Porters, would not have died in vain. When Mrs. Parks
said "NO" a passionate movement was begun. No longer would
there be a reliance on the law; there was a higher law. When Mrs.
Parks brought that light of hers to expose the evil of the system,
the sun came and rested on her shoulders bringing the heat and
the light of truth. Others would follow Mrs. Parks. Four young
men in Greensboro, North Carolina, would also say No. Great
voices would be raised singing the praises of God and exhorting
us "to forgive those who trespass against us." But it was the
Pullman Porters who safely got Emmett to his granduncle and it
was Mrs. Rosa Parks who could not stand that death. And in not
being able to stand it. She sat back down.