Which best describes the next passage of music in this section, from the middle of Dance of the Youths and Maidens?

Hide paintings, such as those produced by Cotsiogo (Cadzi Cody) in the late 1800s, were important to Shoshone artists in part because of the response these paintings received from their communities and beyond.

Hide paintings held significant cultural and spiritual value for the Shoshone people. They were not only a means of artistic expression but also served as a way to convey narratives, histories, and cultural traditions.

The intricate and detailed designs on the hides captivated viewers and elicited admiration and respect for the artistic skills of the Shoshone artists. These paintings often depicted important cultural events, stories, and symbols that held deep meaning within the Shoshone community. The positive response and recognition received by the artists for their hide paintings reinforced the preservation and continuation of Shoshone artistic traditions, fostering a sense of cultural pride and identity.

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False. Themed restaurants such as the ESPN Zone, Rainforest Cafe, and Chuck E. Cheese are not examples of Entertailment facilities.

Themed restaurants like the ESPN Zone, Rainforest Cafe, and Chuck E. Cheese are primarily categorized as entertainment or family-oriented establishments rather than Entertailment facilities. Entertailment refers to a combination of entertainment and retail experiences in a single location, where customers can engage in activities while also having access to retail options.

Examples of Entertailment facilities include shopping malls with interactive entertainment zones or amusement parks with retail outlets. Themed restaurants, on the other hand, focus more on providing a unique dining experience with a particular theme, often incorporating entertainment elements like interactive displays or live performances, but they do not typically include extensive retail components.

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Answer: I want to say false because of the fact of gray representing old age BUT black can also represent depression and sadness and depression pair hand in hand.

Explanation: I'm sorry <3

Artists sometimes choose to paint objects using colors that are not "true" to their optical or local colors. This is an example of the expressive use of color.

In the expressive use of color, artists intentionally deviate from the realistic representation of colors to convey emotions, create a certain mood, or emphasize certain aspects of the subject matter. By employing a subjective color palette, artists can evoke specific feelings or provoke a particular response from the viewer.

The use of expressive color allows artists to transcend the limitations of literal representation and delve into the realm of personal interpretation and artistic expression. Through the manipulation of colors, artists can infuse their artworks with depth, symbolism, and heightened visual impact, offering a unique and subjective perspective on the world.

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Many modern film composers have incorporated leitmotifs in their music, a technique found in music dramas by Wagner.

Leitmotifs are recurring musical themes or motifs associated with specific characters, places, or ideas. They serve as musical identifiers and can evoke emotions or convey narrative elements. Wagner popularized the use of leitmotifs in his operas, such as the famous "Ride of the Valkyries" from "Die Walküre."

In modern film composition, composers like John Williams, Hans Zimmer, and Howard Shore have embraced this technique to enhance storytelling and create a strong musical connection between the audience and the characters or themes of a film. Leitmotifs add depth and continuity to the music, contributing to the overall cinematic experience.

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Musical characteristics aimed at a return to authentic African-American musical expression can be found in various genres, such as blues, jazz, and gospel.

These characteristics include elements like improvisation, syncopation, call and response, and expressive vocal techniques, which seek to reconnect with the roots and traditions of African-American music.

In their quest for authenticity, musicians and composers drew inspiration from African musical traditions and combined them with the experiences and emotions of the African-American community.

Improvisation, a fundamental aspect of African musical traditions, allows for personal expression and spontaneity in performance, enabling musicians to convey their unique musical voice. Syncopation, characterized by offbeat rhythms and unexpected accents, adds a sense of vitality and rhythmic complexity to the music.

Call and response, originating from African communal singing, creates a dynamic interaction between the lead singer and the chorus or audience, fostering a sense of unity and participation. Lastly, expressive vocal techniques, such as bluesy inflections, melisma, and vocal ornamentation, evoke deep emotions and convey the soulful essence of African-American musical expression. Through these musical characteristics, artists sought to revive and honor the authenticity of African-American musical traditions, celebrating their cultural heritage and creating a lasting impact on the American musical landscape.

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McKim, Mead, and White's plan for Pennsylvania Station in New York City took inspiration from several sources. One of the key inspirations was the Gare d'Orsay in Paris, which was built for the Exposition Universelle of 1900. This station was notable for its grand facade, large central hall, and use of steel and glass construction.

The baths were known for their monumental scale, symmetrical layouts, and use of vaulted spaces. The architects applied these principles to the design of Penn Station, creating a grand central hall with soaring vaulted ceilings and a symmetrical layout.

Finally, the architects drew inspiration from the Beaux-Arts style, which was popular in France and America during the early 20th century. This style emphasized classical proportions, decorative ornamentation, and the use of traditional building materials such as stone and brick.

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In Chartres Cathedral, each bay of the nave is covered by a single sexpartite (six-part) vault.

The sexpartite vault is a type of ribbed vaulting system that consists of six compartments or cells. Each compartment is formed by intersecting ribs, creating a web-like pattern. The ribs transfer the weight of the ceiling and the roof to the supporting columns or piers, allowing for a taller and more spacious interior.

The use of sexpartite vaults in Chartres Cathedral is a characteristic feature of Gothic architecture, providing structural stability and allowing for the grandeur and height of the cathedral's nave. The vaults also contribute to the visual beauty of the space with their intricate geometric design.

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Many people consider Wayne Shorter to be the most influential saxophonist after John Coltrane.

Wayne Shorter, an American jazz saxophonist and composer, is widely regarded as one of the most influential figures in jazz following John Coltrane. Shorter's innovative approach to improvisation, composition, and his distinctive sound made a significant impact on the development of jazz music.

His contributions to the genre, both as a member of the Miles Davis Quintet and as a bandleader, pushed the boundaries of jazz and inspired countless musicians. Shorter's compositions, such as "Footprints" and "Nefertiti," are considered jazz standards and continue to be studied and performed by aspiring saxophonists and jazz musicians around the world.

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True. Puccini found his inspiration for Madame Butterfly after visiting Tokyo and viewing a traditional play there.

Giacomo Puccini, the Italian composer, was indeed inspired to create his opera Madame Butterfly after a visit to Tokyo and witnessing a performance of a traditional Japanese play. The play, titled "Madame Butterfly," was based on a story by John Luther Long and depicted the tragic love affair between a Japanese woman and an American naval officer. Puccini was captivated by the story's emotional depth and cultural themes, and he decided to adapt it into an opera.

Puccini's experience in Tokyo and exposure to Japanese culture left a profound impact on him and influenced the composition of Madame Butterfly. The opera beautifully combines Western operatic traditions with elements of Japanese music, melodies, and themes, creating a work that showcases both Puccini's artistic sensibilities and his fascination with Japanese culture. The success of Madame Butterfly further solidified Puccini's reputation as a master of opera and demonstrated his ability to draw inspiration from diverse cultural sources.

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Within the filmmaking process, the term "division of labor" refers to the allocation of different tasks and responsibilities to various individuals or departments involved in the production of a film.

It involves breaking down the complex process of making a movie into distinct roles and functions, with each person or department specializing in a specific area of expertise. The division of labor in filmmaking ensures that different aspects of production, such as directing, writing, cinematography, art direction, sound design, editing, and visual effects, are handled by individuals or teams with the necessary skills and knowledge. This approach allows for greater efficiency and expertise in each area, resulting in a cohesive and polished final product.

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C. He uses the coffers of the ceiling to place Jesus in the mathematical center and to create an illusion that extends the room beyond what is visible.

In the lecture, it is explained that Leonardo da Vinci used mathematical techniques in The Last Supper, specifically by utilizing the architecture of the room to create geometric alignments. The coffers (recessed panels) of the ceiling in the painting are used strategically to position Jesus at the mathematical center of the composition. This placement not only creates a focal point but also aligns with the vanishing point, contributing to the overall perspective and depth in the artwork.

Additionally, da Vinci used these architectural features to create an illusion of space that extends beyond the visible boundaries of the room. By employing mathematical principles of perspective, he enhanced the sense of depth and three-dimensionality in the painting, making it appear as if the room extends further than what is physically depicted.

Therefore, the geometrical fact explained in the lecture that reflects the mathematical technique da Vinci used in The Last Supper is that he used the coffers of the ceiling to place Jesus in the mathematical center and create an illusion of extended space.

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The elements of performance that help us understand the meaning of dance include body movement, space, time, energy, and relationships.

Each element plays a significant role in conveying the meaning of a dance performance. Body movement refers to the various ways a dancer uses their body to express emotions or ideas. Space is utilized to create patterns and structure within the dance, while time refers to the rhythm, tempo, and duration of the performance. Energy involves the intensity and dynamics of the dance, and relationships describe the interactions between dancers, as well as their connection to the audience.

To fully understand the meaning of a dance, one must pay attention to these elements as they work together to create a cohesive performance. Each element contributes to the overall interpretation and message, making the dance an effective form of communication and artistic expression.

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False. When an orchestra conductor oversees rehearsals, they are not demonstrating a specific type of competence.

The role of an orchestra conductor goes beyond showcasing a particular competence and encompasses a broad range of skills and responsibilities. While conducting, the conductor's primary focus is on guiding and coordinating the musicians to achieve a unified performance.

This involves providing clear instructions, interpreting the musical score, setting the tempo, shaping dynamics, and ensuring synchronization among the different sections of the orchestra. The conductor's competence lies in their ability to lead and facilitate a successful performance, rather than being limited to a single type of competence

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The statement is false because the established formal structure of pow-wow music has evolved over time.

While the core elements of singing, drumming, and dancing remain the same, the style and arrangements of the music have evolved to incorporate modern influences and reflect the diverse cultural backgrounds of participants. For example, some pow-wow songs now incorporate elements of hip-hop, reggae, or electronic music.

Additionally, some pow-wows have introduced new categories of dance or altered the rules for traditional dances. Despite these changes, pow-wow music remains an important cultural tradition for many Indigenous communities, serving as a way to honor ancestors, express spirituality, and build community connections.

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Marcia Smilack, an artist known for her unique perspective on sound and visual art, experiences a fascinating auditory phenomenon when she turns her work of cello music upside down. Rather than hearing the expected sounds of a cello, she perceives the ethereal tones of a violin.

This intriguing occurrence can be attributed to the inherent similarities between the cello and the violin. Both instruments belong to the string family, utilizing similar techniques for producing sound. However, the cello's deeper pitch range and larger size differentiate it from the violin. When the cello music is inverted, it undergoes a transformation where the low notes become high and vice versa. By reversing the musical composition visually, Marica Smilack invites a new sonic interpretation of the piece. This auditory illusion occurs due to our brain's ability to perceive familiar patterns and make associations. The brain recognizes the inverted notes and harmonies as characteristics typically associated with the violin, leading to the auditory sensation of a violin playing.

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In Act II of William Shakespeare's play "The Taming of the Shrew," Tranio, Gremio, and Baptista make a decision regarding the marriage proposal for Bianca, Baptista's younger daughter.

The decision reached at the end of Act II is that Bianca will only be allowed to marry once her older sister, Katharina (also known as Kate), is married. This decision is significant as it sets the central conflict of the play in motion, where Petruchio, a suitor, attempts to "tame" the headstrong Kate, allowing Bianca to have the opportunity to marry.

The decision to require Kate's marriage before Bianca's is made by Baptista, the father of the two sisters. Baptista is concerned about the marriage prospects for both his daughters, as Kate's strong-willed nature and reputation make her less desirable as a potential bride. Baptista believes that by ensuring Kate's marriage, it will open the door for Bianca to find a suitable husband. This decision not only sets up the main plotline of the play but also introduces the theme of marriage as a means of social control and the societal expectations placed on women during the time in which the play is set.

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For scenes requiring large amounts of space, scenery, and the full effect of outdoor lighting, location shooting offers the best control is True.

A scene is usually thought of as a section of a movie that takes place in a single location and continues for an extended period of time. It is made up of a series of shots, each of which is a collection of contiguous frames taken by different cameras at different angles.

A film's scene, an act, a sequence (longer or shorter than a scene), and a setting (usually shorter than a scene) are all parts of a scene. The term "scene" refers to the continuity of the observed action, whereas the terms refer to a predetermined sequence and continuity of observation caused by the editor's or camera's handling: an association of characters, time, or place.

The term might allude to the division of the film from the screenplay, from the completed film, or it might just happen in the brain of the observer who is attempting to close on a rationale of activity. For instance, parts of an action movie that take place in the same location but play at different times can also be broken up into multiple scenes. Similarly, there can be equal activity scenes at various areas as a rule in isolated scenes, then again, actually they would be associated by media like phone, video, and so on.

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Ethiopia is home to eleven major Christian denominations, which serve as evidence of the widespread influence of the Christian faith in the country.

Ethiopia has a rich history of Christianity, dating back to the 4th century. Today, there are eleven significant Christian churches in Ethiopia, representing various denominations and traditions. The Ethiopian Orthodox Tewahedo Church is the largest and most prominent, with a strong presence throughout the country.

It is followed by other major denominations such as the Ethiopian Catholic Church, the Evangelical Church of Ethiopia, and the Protestant churches. These churches play a vital role in the religious and cultural life of Ethiopians, and their existence and growth reflect the enduring spread of the Christian faith in the country.

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The synthesis of classical music with jazz, coined by Gunther Schuller, is known as "Third Stream."

This term was used to describe a genre that emerged in the mid-20th century, combining elements of both classical music and jazz to create a unique and innovative musical style.

Gunther Schuller, an American composer, conductor, and musicologist, coined the term "Third Stream" in the late 1950s. He sought to bridge the gap between the traditionally separate worlds of classical music and jazz by blending their distinct characteristics.

The Third Stream movement aimed to incorporate classical compositional techniques, such as complex harmonies, orchestral arrangements, and formal structures, with the improvisational and rhythmic elements of jazz. This fusion of styles resulted in compositions that showcased the virtuosity of jazz musicians and the sophistication of classical music. The Third Stream genre provided a platform for composers and performers to explore new artistic possibilities, pushing the boundaries of musical expression and creating a distinctive hybrid form that continues to evolve and inspire to this day.

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Contemporary art challenges art history's study of period and regional styles by breaking traditional boundaries, embracing interdisciplinary approaches, and promoting individual expression over adherence to specific stylistic conventions.

Contemporary art, by its very nature, defies easy categorization within traditional period and regional styles. It resists being neatly placed into predefined boxes, instead blurring the lines between different art movements and challenging established norms. Contemporary artists often draw inspiration from diverse sources, incorporating elements from various historical periods, cultures, and regions into their work. This fusion of influences creates a unique and hybrid artistic language that defies easy classification.

Furthermore, contemporary art embraces interdisciplinary approaches, combining different mediums, techniques, and forms of expression. Artists may incorporate elements of sculpture, installation, performance, digital media, and more, challenging the notion of art as a strictly visual or static medium. This interdisciplinary nature expands the possibilities for artistic creation and challenges the traditional study of period and regional styles, which primarily focus on specific mediums or time periods.

Moreover, contemporary art places a strong emphasis on individual expression and personal narratives. Artists often prioritize their own experiences, perspectives, and identities, rather than conforming to established styles or movements. This emphasis on individuality and subjectivity challenges the notion of art history's study of period and regional styles, which often seeks to categorize and analyze artworks based on broader historical and cultural contexts.

In summary, contemporary art challenges art history's study of period and regional styles by defying easy categorization, embracing interdisciplinary approaches, and prioritizing individual expression. It opens up new avenues for artistic exploration and encourages a more fluid and dynamic understanding of art across time and cultures.

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A director in the world of theater may have multiple titles such as artistic director, resident director, or associate director depending on their specific role and responsibilities.

In the world of theater, a director is responsible for overseeing the artistic vision of a production. However, the specific role and responsibilities of a director can vary depending on the production and the theater company. For example, an artistic director may have overall responsibility for all artistic aspects of a theater company, including selecting productions, hiring directors, and overseeing the creative team. A resident director may work on a long-term basis with a specific theater company, directing multiple productions over a period of time. An associate director may assist the main director and take on certain responsibilities, such as directing rehearsals or overseeing specific aspects of the production.

Ultimately, the specific title and responsibilities of a director in the world of theater will depend on their experience, expertise, and the needs of the production and theater company.

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False. The term "vibrato" does not come from the Latin word "vibrare" meaning "violin." The term "vibrato" actually comes from the Italian word "vibrare," which means "to vibrate."

Vibrato is a technique used in music to create a slight and rapid fluctuation in pitch. It is commonly employed by musicians, particularly vocalists and string players, to add expression and warmth to their performance.

The term itself originated in Italy, where many musical terms and techniques were developed during the Renaissance and Baroque periods. The Italian word "vibrare" accurately describes the rapid back-and-forth motion of the pitch produced by the musician's technique, giving rise to the term "vibrato" as it is known and used in music today.

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Jorge Luis Borges often merges the "real" with the imaginary in his works, prompting readers to reevaluate the relationship between truth and fiction.

Jorge Luis Borges, a renowned Argentine writer, is known for his use of intricate literary techniques that blur the boundaries between reality and fantasy. Through his writing, Borges challenges conventional notions of truth and encourages readers to question the nature of reality and the power of imagination.

By merging the "real" with the imaginary, he creates a disorienting effect that forces readers to reconsider their understanding of the world and the relationship between fact and fiction. Borges's works often feature intricate narrative structures, labyrinthine plots, and philosophical themes, inviting readers to explore the complexities of perception, knowledge, and the nature of storytelling itself.

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In order to form an argument by analogy between a and b, it is not necessary that a and b be alike in every way.

What is an argument by analogy?

In any argument from analogy, one argues from the similarity of two or more entities in one or more respects to the similarity of those same entities in some further respect.

However, they should be similar in relevant aspects that are important for the comparison being made. The strength of the argument will depend on the extent of the similarities between a and b in the relevant aspects, as well as the strength of the connection between those aspects and the conclusion being drawn.

In general, the more similarities there are between a and b, the stronger the analogy and the more likely it is to be persuasive.

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False. Kabuki is not characterized by restraint, simplicity, and austerity. Kabuki is a traditional form of Japanese theater known for its elaborate and flamboyant performances.

It is characterized by its vibrant costumes, stylized makeup, exaggerated gestures, and dynamic storytelling. Kabuki incorporates elements of dance, music, and drama to entertain the audience. The performances are often highly stylized and filled with spectacle, including intricate stage sets, acrobatics, and special effects.

Kabuki is known for its extravagant and expressive nature, which is the opposite of restraint, simplicity, and austerity. It embraces a more theatrical and exuberant approach to storytelling.

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Roman artists employed the technique now known as trompe l'oeil to create the illusion of depth on a flat surface, effectively tricking the viewer's eye. This technique, also referred to as "trick of the eye," allowed Roman artists to make their paintings appear three-dimensional when, in reality, they were two-dimensional. The correct answer is option A.  trick the eye into perceiving depth on a flat surface.

By meticulously depicting objects with meticulous detail and realism, they were able to create a sense of space and lifelike qualities in their artwork.

Trompe l'oeil, derived from the French language, became an integral part of Roman art, showcasing their mastery in creating visual illusions.

Through this technique, Roman artists aimed to captivate viewers and evoke a sense of awe and wonder by challenging the boundaries of perception and blurring the line between reality and art.

Trompe l'oeil remains a celebrated artistic technique, admired for its ability to deceive and engage the observer's senses.

Therefore, the  correct answer is option A.  trick the eye into perceiving depth on a flat surface.

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The term that describes a series of short plays depicting religious history from creation through doomsday is called a "cycle play."

These plays were commonly performed in medieval Europe and were often performed by members of local guilds. The cycle play typically consisted of multiple short plays, each one focusing on a specific event or story from the Bible, such as the story of Adam and Eve, the Nativity, or the Last Judgment.

The cycle play was an important form of religious education during the Middle Ages and was a way for people to learn about the key events and teachings of Christianity in an engaging and accessible way.

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Park Guell is a unique architectural masterpiece in Barcelona that embodies both Art Nouveau and Garden City design concepts.

Designed by the famous architect Antoni Gaudi, the park boasts a unique combination of natural beauty and artistic ingenuity.

The design of Park Guell is a prime example of how Gaudi combined Art Nouveau and Garden City aesthetics to create an iconic landmark. Art Nouveau elements are visible in the intricate use of curves and undulating lines in the park's architecture. The organic shapes and curves of the park's motifs and designs were inspired by natural forms found in nature. Additionally, Gaudi utilized vibrant colors and intricate mosaic patterns in the park's structures, which are key trademarks of the Art Nouveau movement.

Meanwhile, the Garden City concept is embodied in the park's overall layout, which features sweeping green spaces, flower gardens, and scattered tall trees that offer shade and enhance the beauty of the park. In conclusion, the park's design embodies the principles of both Art Nouveau and the Garden City movement to create a unique and awe-inspiring architectural landmark.

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The Small Cowper Madonna by Raphael demonstrates all of the above options - the influence of Michelangelo, his religious devotion, and his technical skills and style influenced by his teacher Perugino.

The Small Cowper Madonna reflects Raphael's diverse influences and characteristics. Firstly, it shows the influence of Michelangelo, a renowned artist of the time. Raphael admired Michelangelo's mastery of anatomy and incorporated some of his techniques into his own works. In this painting, the figures' anatomical proportions and the gentle twisting of their bodies show the influence of Michelangelo's style.

Secondly, the painting showcases Raphael's religious devotion. The subject of the Madonna and Child was a recurring theme in Raphael's works, highlighting his deep religious faith and commitment to depicting biblical narratives. The portrayal of the Madonna and Child in a serene and reverent manner reflects Raphael's devotion to religious subjects.

Lastly, The Small Cowper Madonna demonstrates Raphael's technical skills and style influenced by his teacher Perugino. Raphael trained under Perugino, a prominent painter, and absorbed his teacher's meticulous attention to detail and refined style. The delicate rendering of the figures, the softness of the colors, and the intricate details in the drapery exemplify Raphael's technical expertise and the influence of Perugino's teachings.

In conclusion, The Small Cowper Madonna by Raphael encompasses all of the mentioned aspects - the influence of Michelangelo, Raphael's religious devotion, and the technical skills and style inherited from his teacher Perugino. This painting serves as a testament to Raphael's ability to integrate different influences and showcase his own unique artistic expression. Therefore, the correct answer is option d) All of the above.

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