Arts College

In painting, there are flexible supports and rigid supports. Flexible supports include burlap, canvas, linen. Rigid supports include ___

Copper plates
Masonite
C 1/4" wood panels
All of the above

Answers

Answer 1

Option D is correct, All of the above. In painting, there are flexible supports and rigid supports. Flexible supports include burlap, canvas, and linen. Rigid supports include copper plates, masonite, and C 1/4" wood panels.

To prevent potential warping or other sorts of planar deformations, rigid supports can also be cradled or braced, especially if they are substantial in size. The options for painters' solid support materials are numerous. Modern composite materials, metal, and wood are some of these materials. Although paper, canvas, and wood are frequently used as painting supports, there are many other types of supports available. Among the earliest painting supports were wooden panels, linen, and animal skins. Since the 17th century, copper supports have been employed by artists for both functional and aesthetically pleasing purposes. Although copper panels are more susceptible to corrosion than aluminum, they are still strong, portable, and come in a variety of sizes.

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Related Questions

Question 5 of 10
New Orleans jazz improvisation and bebop improvisation sound the same.
OA. True
B. False
SUBMIT

Answers

The statement that New Orleans jazz improvisation and bebop improvisation sound the same is False.

Why is this false ?

Although both jazz styles incorporate improvisation, New Orleans Jazz Improvisation and Bebop Improvisation have distinguishable differences in their approach towards improvising as well as harmony, melody, and rhythm.

The style of New Orleans Jazz, also known as Dixieland Jazz, features a collective approach to improvisation where several musicians participate in improvisation together, producing a polyphonic and often polyrhythmic sound. It has a relatively uncomplicated harmonic structure which mainly utilizes blues and ragtime progressions.

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View the stone works by the Aztecs and discuss the style of Aztec art, its lack of realism (or idealization for that matter, unlike the Greeks), and its monstrous appearance, particularly with the Coatlicue statue which shocked Spaniards, who then reburied the statue.

Answers

You make several insightful observations about Aztec stone works and art style:

1) Aztec art lacked realism and idealization. Unlike Greek art which aimed to capture realistic and ideal proportions, Aztec art stylized shapes and figures. It emphasized symbolic meaning over realism. Sculptures were not meant to look completely realistic or proportional.

2) Aztec art had a monstrous and grotesque appearance. Statues often featured exaggerated and disturbing elements like jagged teeth, lolling tongues, bulbous heads, etc. The Coatlicue statue in particular was meant to depict a goddess as a monstrous and fearsome figure. This shocked the Spaniards who saw it as too grotesque.

3) The lack of realism and monstrous style was intentional. Aztec art was symbolic, not meant to imitate reality. Distorted and exaggerated features represented deities, rituals and symbolic meaning in their religion and culture. The monstrous sculptures instilled fear in enemies and demonstrated the power of their gods.

4) The stone works demonstrated the advanced stonemasonry skills of the Aztecs. Despite the lack of realism, their stone sculptures, pavements, step pyramids, and monumental architecture displayed remarkable stone shaping, carving and fitting abilities. This showcased the technical capabilities and cultural achievements of their civilization.

5) The Spanish reburied the Coatlicue statue, overwhelmed by its symbolic meaning and fearsome visage. They did not understand the symbolic religious significance of such monstrous grotesque motifs in Aztec art. So they viewed it as too uncivilized and barbaric, choosing to bury it again.

In summary, Aztec stone works and art lacked realism in favor of symbolic meaning. Distorted and monstrous motifs were intentional, representing deities and power. These stone sculptures, along with their monumental architecture, demonstrated the advanced skills and cultural achievements of the Aztec civilization, though their symbolic style was quite different from Greek realism. Their grotesque religious motifs overwhelmed and shocked the Spanish, who did not comprehend them.

Does this help analyze and discuss key points about Aztec stone works, art style, lack of realism, monstrous motifs and how these impacted both the Aztecs and Spanish? Let me know if you have any other questions or want me to explain any part of the summary in more depth. I can also discuss other topics related to Aztec culture, religion, history, etc.

The main ideas to keep in mind are: symbolic meaning over realism, monstrous motifs represent deities and power, demonstrates skill and achievement, overwhelmed and incomprehensible to the Spanish. Aztec art was distinctive in style, symbolic religious purpose and the technical capabilities it showcased.

Please let me know if this helps provide insight into their stone works and cultural artistic expression. I can discuss this topic further if you have additional questions!

The most diverse classical music period was the:

Answers

Answer:

Having long since shed its derogatory connotations, “baroque” is now simply a convenient catch-all for one of the richest and most diverse periods in music history.

Explanation:

Can anyone draw me this? It's a lot thats why I made jt the maximum points I can give! Please I need a visual on how to do it.

Answers

Answer:

Thx I've been looking for this I deleted mine off my phone and couldn't find it in my recently deleted

In printmaking, the ____ is the final proof, which establishes the standard for the edition - usually marked AP.

A Last proof
B) Analytical proof
C Artist proof
(D) Ultimate proof

Answers

In printmaking, the  Artist proof is the final proof, which establishes the standard for the edition - usually marked AP. Option C

What is printmaking about?

Printmaking is an artistic process  of making different unique artworks, known as prints, from a single unique surface or network. The method includes making an picture or plan on the network utilizing different methods, such as carving, etching, lithography, screen printing, or help printing, among others.

Artist proofs are ordinarily indistinguishable to the version prints, but they are not included within the numbered grouping of the version. Instep, they are saved for the artist's utilize, to be sold or given absent at their watchfulness.

Hence, Artist proofs are regularly considered more profitable than the version prints since of their restricted number and their affiliation with the craftsman.

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