in order to help sustain culture, which of the following is particularly important?

Franz Schubert was not indebted to classical traditions in the genre of Lieder (art songs).

Franz Schubert, a prominent composer of the Romantic era, was primarily indebted to classical traditions in his music.

However, there is one particular genre in which Schubert's compositions showcased a departure from the classical conventions of his time. That genre is the art song, specifically the Lied (plural: Lieder) in German.

Schubert's Lieder were a significant contribution to the development of this genre. While the Lied itself emerged during the classical period, Schubert expanded and transformed it in ways that distinguished his work from the classical tradition.

He brought a new level of emotional depth, harmonic exploration, and textural richness to his Lieder, often setting poems by well-known German poets to music.

Schubert's Lieder compositions pushed the boundaries of classical song structure, employing more expansive and expressive forms. He explored profound emotional states, vividly conveying the sentiments and moods of the text through his music.

The harmonic language he used in his Lieder compositions often included unexpected modulations, chromatic-ism, and expressive dissonances, departing from the strict tonal framework of classical traditions.

Furthermore, Schubert's use of the piano accompaniment in his Lieder was innovative, going beyond a simple harmonic support role. He treated the piano part as an equal partner to the vocal line, creating intricate and expressive interactions between the voice and the piano.

Overall, while Schubert was predominantly indebted to classical traditions in his music, his contributions to the Lied genre showcased his departure from some of those traditions.

His Lieder compositions represented a significant step towards the expressive freedom and exploration of emotions that became characteristic of the Romantic era.

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Sonny Bono worked under influential member Phil Spector in the music industry.(c)

Phil Spector, known for his "Wall of Sound" production technique, was a highly influential figure in the music industry during the 1960s. Sonny Bono, along with his then-wife Cher,

began their music career working with Phil Spector. Spector produced some of their early hits, such as "Baby Don't Go" and "The Beat Goes On."

Spector's innovative production style, characterized by layered instrumentation and a dense sound, helped shape the sound of the era.

While Sonny Bono later became a successful musician and politician in his own right, his early collaboration with Phil Spector played a significant role in their musical development and success.

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Answer:

You would need to provide what the text descriptions are and which categories they could be put in. Otherwise, there's no answering this question,

Explanation:

Classifying techniques involves identifying the medium and grouping techniques accordingly. This process helps in understanding and organizing different methods and tools used in various creative fields.

When classifying techniques based on their associated mediums, you should start by identifying the different mediums, such as painting, sculpture, photography, or digital art. Next, you should group the techniques that are specifically related to each medium.

For example, when considering painting as a medium, you could classify techniques like oil painting, watercolor, or acrylics under this category. Similarly, for sculpture, techniques like carving, casting, and modeling can be grouped together. In the case of photography, techniques such as long exposure, macro, or portrait photography can be categorized under this medium. Finally, for digital art, techniques like vector illustration, digital painting, and 3D modeling would fall under this category.

By classifying techniques according to their associated mediums, you can better understand and organize the various methods and tools used in different creative fields. This classification can help artists, students, and professionals to easily reference and learn about new techniques within their specific medium.

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The technique used by Sophocles to allow the audience to know more than the characters in his play is called irony.

Sophocles, a renowned ancient Greek playwright, employed irony as a technique to develop his plays. Irony occurs when there is a contrast between what is expected or intended and what actually happens. In the context of Sophocles' plays, the audience is often aware of crucial information or events that the characters themselves are unaware of. This creates a sense of dramatic irony, where the audience's knowledge enhances their understanding of the unfolding events and the true nature of the characters' actions and motivations.

By utilizing dramatic irony, Sophocles engages the audience and generates tension and anticipation as they observe the characters' actions and decisions, knowing the eventual consequences that the characters themselves are unaware of. This technique adds depth and complexity to the narrative, creating a compelling and thought-provoking experience for the audience.

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The Greek amphitheater is traditionally carved into a hillside. This architectural feature allows for natural slope seating, providing optimal viewing angles and acoustic qualities for the audience.

The design of the Greek amphitheater typically involves excavating the seating area into the natural slope of a hillside. This technique offers several advantages. Firstly, the hillside provides a natural incline, allowing for tiered seating that ensures clear sightlines for the audience.

This arrangement ensures that each row of seats is elevated slightly above the row in front, maximizing visibility of the stage and performers. Secondly, the hillside configuration helps to enhance the acoustic properties of the theater.

The curved shape of the seating area helps to project and amplify sound, allowing for better acoustics and ensuring that the performances are audible to the entire audience. By utilizing the natural topography, Greek amphitheaters achieve an optimal arrangement for both visual and auditory experiences during theatrical performances.

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Answer:

1 answer

Jan 13, 2021 — Learning Task 6: Complete the statement below base from your output and - 9184008. ... 1. I employ (elements and principles of arts and design) in my work. 2. What I gained from this lesson is_________. 3. If I were to apply the learnings I gained, it would be_________. 4. The skills and attitude that was ...

Explanation:

False. Theatre of the Oppressed is not an avant-garde theatrical movement started by playwright Tadashi Suzuki.

Theatre of the Oppressed is a form of theater created by Brazilian playwright and director Augusto Boal. It is rooted in the idea of using theater as a means of social and political activism. Boal developed techniques and practices that aim to engage audiences and participants in exploring and challenging systems of oppression and inequality.

Through interactive and participatory performances, Theatre of the Oppressed seeks to empower marginalized communities, encourage dialogue, and promote social change. Tadashi Suzuki, on the other hand, is a renowned Japanese theater director known for his influential Suzuki Method of actor training, which focuses on physicality and presence on stage.

While both figures have made significant contributions to theater, they represent distinct movements and approaches within the theatrical landscape.

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The new instrument developed in the nineteenth century is the saxophone (option C).

The saxophone is a versatile woodwind instrument invented by Adolphe Sax in the 1840s. It is classified as a member of the woodwind family but is made of brass. The saxophone gained popularity due to its unique sound and its ability to blend well with other instruments in various musical genres, including classical, jazz, and popular music. Its range, tone, and expressive capabilities made it a valuable addition to orchestras, bands, and ensembles, and it has since become one of the most recognizable and widely used instruments in modern music.

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Answer:

purple or red or blue I kinda forgot

The musician depicted in the poster imagined by Glaser, featuring a black silhouette with a brightly colored hair pattern inspired by Islamic art, was Bob Dylan.

The poster, created by graphic designer Milton Glaser in 1966, became one of the most iconic and recognizable images associated with Dylan. It was used to promote Dylan's greatest hits album and captured the essence of his unique style and artistic persona.

Glaser's use of Islamic art patterns added a distinct visual element to the poster, reflecting Dylan's interest in diverse cultural influences and his ability to transcend conventional boundaries in music and art.

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In the 1920s and 30s, sales of southern rural music became artificially segregated because of the racial segregation prevalent in the United States at that time.

Record companies would often create separate labels for black and white artists, leading to the marketing and distribution of different genres of music to different racial groups.

This segregation resulted in the promotion of blues, jazz, and gospel music to African American audiences, while country, folk, and Western music were marketed to white audiences.

The segregation was also perpetuated by radio stations, which would play music targeted towards their respective racial groups.

Overall, the artificial segregation of southern rural music during this time was a reflection of the deeply ingrained racial divisions in American society.

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The statement is false because the Mellotron was not a digital synthesizer, but rather an electro-mechanical instrument.

The Mellotron was used by prog rock bands, as well as other genres, to create various sounds by playing back pre-recorded tapes of actual instruments, voices, or sound effects. Although it was capable of producing sci-fi sounds, its primary purpose was to generate a wide range of musical tones.

The Mellotron enabled musicians to recreate orchestral arrangements and choirs, giving their music a unique and ethereal quality. So, while it was used by prog rock bands, it was primarily for musical purposes rather than non-musical, sci-fi sounds.

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The economic dimension of global communication poses various challenges, including unequal access to technology, digital divide, and the impact on local economies.

One of the key challenges in the economic dimension of global communication is the unequal access to technology. While developed countries have advanced infrastructure and widespread internet connectivity, many developing nations and marginalized communities face barriers to access, such as limited internet availability and high costs of technology. This digital divide hampers their ability to fully participate in the global communication network and limits their economic opportunities.

Another challenge is the potential negative impact on local economies. Global communication allows for the easy transfer of capital, goods, and services across borders, which can lead to competition for local businesses. Small-scale enterprises may struggle to compete with multinational corporations, impacting local economies and contributing to income inequality. Moreover, the outsourcing of jobs to countries with lower labor costs can result in job losses and economic imbalances in certain regions.

Additionally, the economic dimension of global communication presents challenges in terms of intellectual property rights and piracy. With the ease of digital reproduction and distribution, protecting intellectual property becomes increasingly complex. Copyright infringement and piracy can undermine the economic viability of industries such as music, film, and publishing, affecting revenue streams and stifling innovation.

In summary, challenges in the economic dimension of global communication include unequal access to technology, the impact on local economies, and issues related to intellectual property rights. Addressing these challenges requires efforts to bridge the digital divide, promote fair trade practices, and establish mechanisms for protecting intellectual property in the digital age.

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The sculpture by Claes Oldenburg and Coosje van Bruggen called Plantoir creates shock value through the use of scale and juxtaposition.

In the work, Plantoir, Claes Oldenburg and Coosje van Bruggen created shock value through the use of scale by creating a large, three-dimensional representation of a garden tool.

In the work, Plantoir, artists Claes Oldenburg and Coosje van Bruggen created shock value through the use of scale. The work is a large, three-dimensional representation of a common garden tool- a plantoir or a trowel. Its enormous size gives it a surreal effect that captures the viewer's attention and creates a sort of shock value. The artists often used everyday objects, inflated to a monumental scale, to blur the boundaries between art and reality. Thus, the shock value in the work Plantoir emanates from the unexpected transformation of a regular, mundane item to an unusual, gigantic piece of art.

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The author likely wrote "my" people with quotation marks to signify a sense of distance or detachment.

It suggests that the author may not personally identify as part of the group they are referring to, but rather uses the term as a way to describe a particular cultural or social affiliation.

"To do anthropology" refers to the practice and study of anthropology as a discipline. It involves conducting research, gathering data, and analyzing various aspects of human culture, society, and behavior. This can include fieldwork, participant observation, interviews, and the examination of cultural artifacts or practices.

The Fulani, also known as the Fula or Fulbe, are an ethnic group spread across several countries in West Africa, including Nigeria, Senegal, Guinea, Mali, and others. They are a pastoralist and nomadic group known for their cattle herding and trading activities. It is unclear why the author did not use the term "Fulani" in the given context, as it is the most commonly used name for this ethnic group.

Smoking tobacco enabled N. Barley to initiate conversations and build relationships with the Fulani people. Tobacco smoking can serve as a social activity, creating opportunities for interaction and establishing connections with others, including the Fulani community.

"Taking one's skin off" is a metaphorical expression that implies shedding one's own cultural or personal identity in order to immerse oneself in the culture and perspectives of another group. In the context of the text, it likely refers to the anthropologist's effort to adopt a more objective and empathetic stance, temporarily setting aside their own biases and assumptions in order to better understand and engage with the Fulani people and their way of life.

A sentence in the text that could define the inductive approach is: "Anthropologists are confronted with an inductive task: to derive the universal from the particular, the general from the specific, the timeless from the temporal." This sentence highlights the inductive approach in anthropology, which involves drawing general conclusions or theories based on specific observations or data collected from particular cultural contexts or social phenomena.

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Answer:

Does it have to be in color or  can it be in black and white

Explanation:

To prove that -u is the unique vector in v such that u (-u) = 0, we need to demonstrate two things: (1) that -u satisfies the given condition, and (2) that there is no other vector in v that satisfies the condition.

First, let's show that -u satisfies the condition. We have u (-u) = -u u = -||u||^2. Since -||u||^2 is equal to 0 if and only if ||u|| = 0, we can conclude that -u satisfies the condition.Now, let's prove that -u is the unique vector in v that satisfies the condition. Suppose there exists another vector x in v such that u x = 0. Since u (-u) = 0, we can subtract this equation from u x = 0 to get u (x - (-u)) = 0.

Simplifying, we have u (x + u) = 0. This implies that the dot product of u and (x + u) is 0. However, the dot product of two vectors is 0 if and only if the vectors are orthogonal. Since u and (x + u) are not orthogonal, we reach a contradiction. Hence, we have proven that -u is the unique vector in v such that u (-u) = 0.

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Answer:

oof, that sucks lol

Answer:

I know !!!!

Explanation:

Answer:

wow, what was this, very funny

Answer:

Thank you! <3

To identify records without data in a column named "colb," you can use the conditions IS NULL or IS NOT NULL..

IS NULL: This condition checks whether the column "colb" has a NULL value. If a record has a NULL value in the "colb" column, it means that there is no data stored in that column for that particular record. The query would look something like this: "SELECT * FROM table_name WHERE colb IS NULL;". This will return all records where the "colb" column is empty or contains NULL values.

IS NOT NULL: Conversely, this condition checks whether the column "colb" does not have a NULL value. By using "IS NOT NULL," you can retrieve records where the "colb" column has some data stored. The query would be: "SELECT * FROM table_name WHERE colb IS NOT NULL;". This will return all records where the "colb" column is not empty or does not contain NULL values.

Using either of these conditions will allow you to identify records that do not have data stored in the "colb" column, depending on whether you want to retrieve the empty records (IS NULL) or the records with data (IS NOT NULL).

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True. The work was painted in an individual style, but it was also influenced by styles such as Impressionism.

His artistic style was characterized by bold brushstrokes, vibrant colors, and expressive forms, which set him apart as a unique artist.

However, he was not isolated from the artistic trends of his time. He was indeed influenced by Impressionism, a movement that emphasized capturing the fleeting effects of light and color in paintings.

During his time in Paris, He encountered the works of Impressionist artists and incorporated some of their techniques into his own art.

He experimented with capturing the changing effects of light, employing broken brushwork and vibrant colors, demonstrating the influence of Impressionism on his work.

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Answer:

White

Explanation:

Answer:

White

Explanation:

cause, it's not

The answer to the multiple-choice question regarding the duration of a full-length play from a historical perspective is typically option d. between three and four hours.

Historically, full-length plays have often been longer than contemporary productions. During different periods, such as the Elizabethan era in England or the classical period in Ancient Greece, plays could span several hours. Shakespearean plays, for example, were known to be quite lengthy and could last up to four hours, including intermissions. These plays often had multiple acts and intricate plotlines, allowing for a more immersive theatrical experience. However, it is essential to note that the duration of plays has evolved over time. Modern theater has seen a shift toward shorter plays, with the average running time ranging from two to three hours, including intermissions. This change reflects audience preferences and the need for more concise storytelling in a fast-paced world. Factors such as genre, style, and cultural context also influence the duration of a play. Experimental theater pieces or one-act plays may be significantly shorter, while epic productions or large-scale musicals can extend beyond the traditional duration.

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The period that began around 9,000 B.C.E. and continued over 4,000 years prior to Western art is known as the Prehistoric period.

The Prehistoric period refers to the time in human history before the advent of written records. It is divided into several distinct phases, including the Paleolithic, Mesolithic, and Neolithic eras. These periods spanned thousands of years and witnessed significant developments in human culture and artistic expression.

During this time, early humans created various forms of art, including cave paintings, rock engravings, sculptures, and pottery. These artistic expressions often depicted animals, human figures, and abstract symbols. The Prehistoric period marked a crucial stage in the evolution of human art and laid the foundation for later artistic traditions and civilizations.

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Wagner's music was interpreted by some of his contemporaries as a folk-like expression of Germanness. Option A.

Richard Wagner's music is known for its ability to suspend the listener's expectations through various compositional techniques and dramatic devices. Here's a more comprehensive explanation of how Wagner achieves this effect:

1. Harmonic Ambiguity: Wagner often employs complex and unconventional harmonic progressions, blurring the boundaries between different tonal centers. This harmonic ambiguity creates a sense of tension and uncertainty, keeping the listener engaged and unsure of where the music will resolve.

2. Extended Phrases and Delayed Resolutions: Wagner's compositions feature long, expansive phrases that prolong musical ideas and delay their resolutions. By stretching out melodic lines and postponing cadences, he heightens the sense of anticipation and defies traditional expectations of rhythmic and structural regularity.

3. Chromaticism and Dissonance: Wagner incorporates rich chromaticism and dissonant harmonies into his music. These dissonances create a sense of restlessness and unpredictability, challenging conventional tonal expectations and creating an atmosphere of suspense.

4. Leitmotifs and Associative Meaning: Wagner's use of leitmotifs, recurring musical themes associated with specific characters, objects, or ideas, contributes to the suspension of expectations. The leitmotifs can be transformed and combined in various ways, creating complex networks of musical connections that defy linear narrative development.

5. Dramatic Pacing and Narrative Structure: Wagner's operas are known for their epic scale and intricate narratives. He manipulates the dramatic pacing, alternating between moments of intense action and extended periods of reflection or anticipation. This dynamic narrative structure keeps the audience engaged and uncertain about what will happen next.

6. Innovative Orchestration: Wagner revolutionized orchestration, using the full capabilities of the orchestra to create unique timbres and textures. His use of instrumental colors and innovative techniques, such as the "Wagner tuba" and the "Tristan chord," adds to the sense of musical surprise and suspension of expectations.

Through these and other compositional techniques, Wagner's music challenges traditional conventions, pushes the boundaries of tonality, and keeps the listener captivated by creating a sense of anticipation, tension, and unpredictability. The result is an immersive and transformative musical experience that suspends the listener's expectations and engages them on a deep emotional and psychological level.

Hence, the right answer is option A. A folk-like expression of Germanness.

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Answer:

sorry I cannot help you

sorry I cannot help you

Answer:

The purpose of cave art, particularly Upper Paleolithic cave art, is widely debated. Cave art is most often associated with the work of shamans—religious specialists who may have painted the walls in memory of past or support of future hunting trips.

True. Jaco Pastorius did include a solo version of the bebop standard "Donna Lee" on his debut recording, which garnered him significant respect among jazz artists and aficionados.

Pastorius's rendition of "Donna Lee" showcased his virtuosic bass playing skills and innovative approach, solidifying his reputation as a groundbreaking musician in the jazz community.

Jaco Pastorius, a renowned bassist, recorded a solo version of "Donna Lee" on his self-titled debut album released in 1976. The inclusion of this notoriously difficult bebop standard highlighted Pastorius's technical prowess and musicality. "Donna Lee" is originally a composition by jazz trumpeter Charlie Parker, and Pastorius's interpretation showcased his unique style and inventive bass techniques, such as harmonics and rapid-fire melodic lines.

His performance on "Donna Lee" demonstrated his ability to navigate complex chord changes and deliver a remarkable solo performance on the bass, earning him considerable respect among fellow jazz musicians and enthusiasts who recognized his exceptional talent and contribution to the genre.

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